Anvar Akbari, Piano
Originally from Uzbekistan, the classically trained and highly accomplished concert pianist Anvar Akbari continued his studies at the Cologne University of Music, Aachen campus, after graduating from the Tashkent Conservatory. Upon completing his degree with distinction, he was appointed as a lecturer at the same institution. For many years he has been a sought-after soloist, chamber, and orchestral musician, performing across Germany, the Netherlands, Italy, Belgium, France, and Russia. He has appeared multiple times at the Cologne Philharmonic and has collaborated closely with Theater Aachen and the Aachen Symphony Orchestra. As an accompanist for singers and instrumentalists, he has earned an excellent reputation since settling in Germany. Two years ago, he founded the Tango A Quartett together with Savva Zihs.
"I was born into a family of musicians – there was hardly another path for me. Music surrounded me from early childhood: we had a piano at home, and I was always drawn to the keys. Over time, that childish curiosity turned into a conscious desire to become a musician. My teachers played a huge role in shaping me – they helped channel my energy and taught me to truly feel the music.
I fell in love with the stage as a child. My mother was an opera singer, and I spent countless hours in the theatre watching her perform before thousands of people. Because of that, the stage became something natural and familiar to me – I almost never experience stage fright. Before going on stage, I have no special rituals: I simply go out and share my music. The stage is not a test for me, but a joy – an opportunity to tell stories through sound. Concerts don’t tire me; they give me energy and inspire me to keep exploring. My greatest source of inspiration is the person I love – without that inner warmth, there can be no creativity, no real music.
After many years in classical music, I began to feel burned out. That’s when fate brought Savva into my life, and through him I discovered a completely new world – the world of tango. It was a turning point. Tango revealed itself to me as a living organism full of passion, rhythm, and emotion. Like many others, I was inspired by Piazzolla, D’Arienzo, Troilo, Pugliese, and other great masters. Tango has a rhythm and energy unlike any other genre – it unites music and movement, intellect and heart.
Through this new love for tango, I came to the ensemble. I still remember our first rehearsal – it felt as if we suddenly began speaking the same language, even though each of us came from a different musical universe. The hardest part was understanding the various tango styles – it’s a vast world, and I’m still learning. Over time, I realized how important it is not only to play for the listeners, but also to feel the dancers. Since I started dancing myself, I’ve come to understand much better how the music should sound to make people want to move. When dancers are present, the atmosphere becomes special – at milongas I feel the greatest joy in performing.
Every performance brings something new, but the most vivid memory remains my first encounter with tango culture. That was the moment when everything clicked, when I realized I had found “my own.” The tango audience is unique – they don’t just hear the music with their ears, but with their whole body and heart. I still have only the warmest memories of those encounters. Of course, funny moments happen too – especially now that I use an iPad for sheet music. Sometimes I swipe the wrong way or open the wrong piece, but such moments remind me that a live concert will always be a little unpredictable.
Our ensemble functions like a single living organism. We share very warm, almost family-like relationships – without trust and breathing together, true art is impossible. Before every performance, we have a tradition of checking all equipment and instruments – that discipline gives peace of mind. I’m probably the strictest member of the group, yet I can also be as playful as a child – perhaps that’s the balance: seriousness in work and lightness in spirit.
Today, I see tango as something perfect. It doesn’t need radical change, but it’s always open to new inspiration. I’m eager to collaborate with musicians from other genres – because it’s at the intersection of different worlds that new energy arises. And if I speak of dreams, one of the greatest would be to perform at Carnegie Hall."